From American Horror Story's "Coven" (One of my favorite depiction of witches):
Stereotypes and Gender Ideology of
the Witch
The first thing I think of when I
hear the word “witch” is scary old ladies. This image of an old, bitter,
wart-covered widow is deeply rooted in the common psyche and routinely enforced
in modern society. Just watch any of the Disney “Princess” movies. The villain
is almost always a hunchbacked old crone. J.K. Rowling challenged the
stereotype with her relatable, very normal human witches and wizards, but the
popular idea will always endure. This image became prevalent in the 16th
and 17th centuries, and it is quite reflective of how society
thought about women at the time. Religion posed a catch-22 for women, in
expecting then to be both Eve and the Virgin Mary, which of course in turn made
society suspicious of those that didn’t fulfill this impossible image (i.e. all
women).
Then we see the gypsies and
medicine healer women that were present in English communities during the
middle ages. They were often older, widowed women that possessed healing and
love magic and participated in quasi-pagan practices. Their skills gave them a
valuable place in the community, but their stereotypically unattractive
demeanor and “magical” practices made them outcasts at the same time. When the
Post-Reformation pushed society to rid their communities of suspicious folk,
these women were the first to be persecuted.
A type of magic that became
associated with these women is known as maleficia,
which is when natural, everyday misfortunes happen without a clear explanation.
“Bad Luck” happened to be more prevalent in women’s occupations such as cooking
and babysitting, so people thought these roles enabled them to practice magic.
Food poisoning? Witchcraft. Sick child? Witchcraft. Not sleeping well?
WITCHCRAFT! The state-driven witch hunts focused more on demonology
accusations, with the belief that midwives’ proximity to unbaptized children
led them to steal them for ceremonial sacrifice. High mortality rates of the
time “proved” that these women were responsible. These societal roles and jobs
that were required of women made them vulnerable to suspicion from the public,
indicating that gender ideology directly contributed to the image of the
stereotypical witch.
Specialist contemporary writings
such as On the Demon-Mania of Witches and
the Malleus Maleficarum strengthened
the connection between women and witchcraft even further. The Malleus Maleficarum expresses the ideas
held by most members of the elite concerning the female state, such as that
women were weaker and more impressionable than men, therefore they easily gave
into evil spirits and witchcraft. This enforced an image of women as
essentially weak with an inherently wicked nature. The writings of Jean Bodin
introduces the focus on female sexuality’s role in the demonic stereotype of
the witch. He claimed that all witched had a sexual relationship with the
Devil, the only evidence of which being that witches are female and the Devil
is male. This rose from male concerns about female sexuality, especially the
widows’ status as experiences women without a male “master”, thus making them
sexually threatening to men. My, how frail the male ego is.
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