The Hobbit Redo

Blog week 6 The Hobbit

Greed and Obsession in The Hobbit by J.R.R. Tolkien

From the beginning, we see the presence of a class system in middle earth and Hobbiton, as well as discussion of material wealth. With Bilbo, we learn that he is part Baggins and part Took. The Baggins are known as simple, middle class hobbits (classic Hobbit behavior), while the Tooks were extremely wealthy and adventurous and therefore harshly criticized in the Hobbit community. While Bilbo certainly enjoys the comfort of his home and his possessions, he doesn’t seem to desire much more than what he needs to live a quiet, leisurely life.

The Dwarves provide a foil to Bilbo’s humble, passive persona. They are boisterous and adventurous, and certainly greedy. The whole reason the Dwarves were evicted from their home was because they amassed a treasure so great, it attracted the dragon Smaug, who easily destroyed their homes and hoarded the treasure. The Dwarves whole culture is based around mining and obtaining gold and other precious minerals and metals, and now they are basically homeless and broke. Smaug’s character takes greediness to a whole other level, having the most intense desire for gold and jewels, then doing nothing but lie in it. Tolkien definitely makes clear his negative opinion on greed, and the pursuit of adventure and friendship is much more important in life.

Gollum and Thorin Oakenshield are very similar in their obsession for certain objects. Both of them lost their homes, and in their long separation from home they both have grown obsessed with a single, important object. Smaug destroyed Thorin’s grandfather’s kingdom under the Lonely Mountain, while Thorin escaped with only his life. Though The Hobbit doesn’t explain exactly how Gollum came to live under the Misty Mountains, it does refer to a time “long, long ago, before (Gollum) lost all his friends and was driven away, alone, and crept down, down, into the dark under the mountains” (5.22).

Thorin’s object of desire is the Arkenstone of Thrain, a giant diamond that is, to Thorin, priceless. Thrain was Thorin’s father, so the stone represents to him his family and the loss of his family’s greatness. Thorin even considers waging war on Bard and the Elven King just to get his stone back. Bilbo clearly doesn’t feel this intense desire for material wealth, as he gladly hands the Arkenstone to Bard to try and prevent war breaking out. Perhaps this is because he knows he has his comfortable hobbit home under the Hill to go back to.

Gollum loves the Ring more than anything else in the world. He often calls it his “birthday present”, alluding to a time when he was a normal hobbit and actually had birthdays and presents. This is extremely depressing, as we see him whisper to it, crouching alone in the dark. When Bilbo steals the ring, Gollum swears eternal hatred on him for stealing “his precious”. While Bilbo doesn’t give Gollum back the ring (Gollum would probably kill him), he only uses it to avoid people, which is inconsequential compared to the potential power the ring holds.

Literary Speculation

"The Aquatic Uncle" by Italo Calvino

Are there any prominent symbols in the story? If so, what are they and how are they used?

The most obvious symbolism centers around the evolution of generations and their impact on each other and the world. The fish symbolize the old generation, remaining in the homeland. Some of the fish leave earlier than others, causing their genetic line to evolve faster than others. This reflects families immigrating from different countries. Each evolution, a little more of the traditional customs are lost (appearances and abilities change, etc.), and a new culture emerges from those on land. As years go by, each side (though still technically family) becomes unrecognizable from the other. This seems to symbolize emigration to America from the older countries, and the "great melting pot" that we all become a part of.

What connections did you make with the story you read? 

A Clockwork Orange is similar to The Aquatic Uncle in some interesting ways. Both of the main characters (Alex and Qfwfq) are part of an evolution and rapidly changing times, yet it seems they both are a bit stuck in their ways. In Clockwork Orange, Alex goes on mindless violent rampages on a regular basis, with no plans for stopping any time soon. At the end, we get a slight glimpse that he may be getting bored with the mischief but he ultimately resolves that even if he does settle down, his children will be more insane and violent than he was. As well, he is supposedly "stripped of his free will" while undergoing the Ludovico torture, like Qfwfq denies himself of the choice to return to the water by closing his mind to his uncle's opinions. In Aquatic Uncle, Qfwfq talks at the end about not being a "somebody" who will bring on the future, he is content in his unchanging ways while at the same time being part of the unstoppable revolution.

What changes would you make to adopt this story into another medium? What medium would you use? What changes would you make?

If I were to make this story into a movie, there's not a whole lot that would need to be changed. I would make the names easy to pronounce, and the animals would definitely be humanoid in character. I think it would definitely make an interesting short film, with nice aesthetic cinematography to contrast the land and the water. I would definitely shoot it on an island, and perhaps put a little more action in there such as predators seeking out the land fish/lizards and maybe acidification in the oceans to add pros and cons to each area. 

Diverse Position Sci-Fi

Week 12: Diverse Position Science Fiction

Attack the Block (2012) dir. Joe Cornish

            We first meet our heroes—who also happen to petty street thugs—when they rob a young nurse on her way home. The group of boys are a stereotypical picture of urban youth, in dark hoodies with switchblades, but they also have a great sense of humor and adventure and, in their own way, a subtle kindness. When an alien creature comes crashing through a parked car like a meteor, their boyish curiosity and tendency for violence comes out as they prod it, chase it, beat it to death, then drag it around the neighborhood like a prize.

            Killing and stashing the creature turns out to be a horrible mistake, as it turns out to be a pheromone-ridden female and the target for a massive invasion of the fearsome male creatures. The boys end up making an unlikely ally with the nurse when they take refuge in her apartment, all in the same building they live in also known as “The Block”. The leader of the group, Moses, a stone-faced kid who won’t even apologize to the nurse for robbing her saves the group multiple times with his knowledge of hiding spots and fighting techniques (no doubt learned from his thuggish behavior).

            The movie is speckled with fast-paced humor in engaging South London slang, through this band of unlikely characters that are very believable and consistent in their personalities. That’s why it’s so terrifying that not all of them will survive this attack. This movie has some genuinely frightening and violent moments that leave the viewer anxious for the boys’ safety, all the while playing with the concept of “don’t judge a book by it’s cover” sentimental moments.

Cyberpunk & Steampunk

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