Thursday, January 29, 2015

Asian Horror

J-Horror
“Ju-On: The Grudge” 2003 Takashi Shimizu


Movie Notes and Tropes

Open with definition of “Ju-On”, basically a haunting spirit
Murder montage, disturbing music
Swinging gently chandelier, stuff everywhere
Huge, spacious house, sparsely furnished
Spooky elder woman, unresponsive
Tension builds while investigating scratching noises
Black cat (Bad luck) and mysterious child
Creaky stairs
Creepy child is creepy
Old woman speaking to/tormented by ghost(s)
Another creepy, creaking child
Kazoumi is attacked by the ghost boy/cat, is paralyzed?
Catboy screeches, Katsuya and Kazoumi are affected by the spirit, under it’s control
Painfully high pitched ringing
Hatoumi in long dim hallway, swishing noises follow
Creaking girl prank call
Dark shadow/ ghost black hair girl kills security guard (Hatoumi now super vulnerable)
Catboy in every window
Girl ghost shift-shapes into Katsuya, no one can be trusted!
Creepy TV glitching
Hatoumi is taken, now 3 main characters probably dead, only Rika (the caretaker) alive (and mom of course)
Find history of house, every previous family has died or disappeared, also know that a man Sakei killed his family there
Dead guy under the sink
Detective watches security guard murder and other detective stuff on tapes late at night
Spirits now in his house, creepy crawling
Doesn’t show them actually harming people, leaves it to your imagination
Everyone is dead except Rika
Eyes of the haunted/deceased people blurred out in photographs
Old man playing peekaboo with ghost boy
Ghost girl covered in blood, creaking down the stairs like a spider
Ends with Rika being murdered by dad Sakei?

Wednesday, January 21, 2015

Ze Veek ov ze Vampire



Anne Rice's 'Interview with A Vampire'

In your reading for the week what pairs of  ideas or representations does the author place in opposition to one another?
Immortality, Good vs. Evil (Internal and External), Knowledge, Dissatisfaction, Love and Lust, Manipulation

Good Vs. Evil- “Who knows what evil lies within the hearts of (vampires)?” Vampires are known as inherently evil, but Interview with a Vampire is less about the angry villagers attacking the evil vampires and more about the vampires battling the evil within themselves. Lestat represents the nature of vampires, enjoyment of murder and doing so without guilt, while Louis represents the opposite, moral and just. By the end they switch roles when Louis gives into his anger and murders the Paris vampires. Like humans, Vampires aren’t born good or evil, it depends how they’re raised (Claudia who is raised by Louis remains good).

Knowledge- In the book, Louis is driven by an intense craving for knowledge (and blood?). He and Claudia try unsuccessfully to learn from Lestat, but he turns out to be a dunce. For someone who is immortal, gaining power and wealth is easy. Gaining knowledge is the only true accomplishment in the eyes of the eternally “living”, therefore they must seek it if they want to avoid boredom and insanity. This is the only way a vampire can really control and have power over another.

Hate and Love- Many of the older vampires in the Theatre de Vampires are filled with hate, perhaps because every vampire has their breaking point when it comes to viewing the world in a positive light. It’s easier to hate than to love. Again, Louis and Lestat switch roles over the course of events, with Louis turning to hate and slaughtering the Vampires and denouncing Armand, while Lestat struggles to find love. As for Claudia, it seems she is in a constant whirlwind of emotions (probably doesn’t help that she’s trapped in the body of a child) between her love and hatred of Louis and Lestat.

What does the vampire represent?

An alternative culture or subset of people that don’t feel like they quite fit into the gender roles of the period.

Movie Notes and Tropes (Only Lovers Left Alive, 2013)

Not being able to live like a normal human, therefore interactions are awkward sometimes. (No bathroom, Not wanting attention, don’t eat)
Has a wooden bullet made in case of suicide attempt
Can only go out at night, very sensitive to light (They sleep though)
Have to buy blood from Hospital from crooked doctor, outdated stethoscope
Blood has therapeutic and sort of narcotic effect
Calls assistant a “zombie”? “Zombies” mentioned several times, might just be a term for modern humans
Terrified of people finding out where he lives
Abnormal fixation when blood is present (In hospital, on airplane)
Very intimate and sexual relationship with other vampires
Extensive and detailed historical knowledge (and scientific), lots of books lying around
For some reason using flashlights outside at night, vampires should have excellent night vision
B&W pictures of famous dead people on the wall
Supernatural powers (telling the age of something by touch, super speed, dream telepathy)
Actually can eat things other than blood, but not good for them?
Live in Tangea
Become lethargic and fatigued with lack of blood
Vampires can die of super old age?

Finally have to give into their needs when they run out of a blood source & kill two teenagers






“Rules” for Vampires

Have to drink blood
Some kind of aversion to sunlight, always pale
Can be killed with stake/wood bullet/holy water/cross
Kept away with garlic
Sleep in coffin or don’t sleep at all
Immortal, don’t age
No reflection
Pointy teeth
Shape shift into bats or other
Dark and brooding moody, romantic?
Cold to the touch, no pulse
Have weird colored eyes
Can change humans to vampires
Other supernatural powers
Almost always good looking
Have to be invited in

Types of Vampires (In books and movies)

“Classic” Sort of Goofy Vamp (The Count from Sesame St, Scooby-Doo Vamp)
Sexual predator (Twilight)
Romantic interest (Twilight, Buffy)
Action hero (Buffy, Underworld, Blade)
Demon horror monster (Nosferatu, Van Helsing)
Relatable comrade (Buffy, Only Lovers Left Alive)

The foreigner (All of them)
Main population, futuristic (Daybreakers)

Wednesday, January 14, 2015

Frankenstein



Elements of Horror and Gothic in Young Frankenstein: Old gothic castle/ house, mutated or irregular characters, stormy weather, ominous music, mysterious passageways, foreign country/ unknown, "mad" science, jump scare noises, ruins/decay, death imagery/ cemetery, body parts/gore, suspense, rats/spiders, isolation

Basic Elements of Horror/ "The Terror Narrative": Person/Thing of Terror, The Cassandra Effect, Place of Terror, Mystery/ The Unknown, Confinement (Mental or Physical)

GOTHIC is not "beautiful", but SUBLIME. It is about awe and appreciation for nature and experiencing life in reality. It is the post-adrenaline rush "carpe diem" feeling after a near-death experience. It is meant to wake you up from the monotony of the every day routine and make you appreciate LIFE.

The GOTHIC is seen clearly in the Harry Potter books and movie series. Looking at the stories as a whole, we immediately see the Gothic influence in the architecture, the atmosphere, and the numerous supernatural characters and items (the talking portraits, local ghosts, werewolves, enchanted animals). The "Gothic Heroine" role is filled by a few different women throughout the series. Professor Mcgonagall is an obvious one, saving the day in her brooding, honest and intelligent manner. Another interesting female character is "Moaning Myrtle" who remains classically gothic throughout the series, while wailing and moaning as a damsel in distress and remaining a parody of teenage girls. I especially enjoyed Hermione's character arch into the Gothic Heroine. We see her turning point, in a culmination of horror and the gothic female transformation narrative at a critical moment in Harry Potter and the Sorcerer's Stone. Hermione locks herself in the bathroom, crying, as Ron and Harry accidentally set a troll loose, confining her in the small space with the beast and her emotions. This is the first time we have seen her lie for her friends and her need for their company and assistance in situations. This near-death experience combined with the reveal of her raw emotions changes her character to one that is aware of the imminence of death and her inability to handle everything alone. Hermione goes on to become a very dynamic and developed character while Myrtle remains stuck in the girls' bathroom, a permanent sacrifice to female development and the gothic narrative. She is very symbolic of the way that some females get stuck, in her case literally, in certain behaviors and expectations of girls in society. In this way, Myrtle is a heroine in that she reminds girls of the path many take, while Hermione represents the alternative choice.